I've been writing an adaptation! (Frame Narrative and it’s on March 8-30, 2024 at The Old Fitz in Sydney.) Working with source material this time has changed some parts of my writing process. So I thought it could be useful to share what's been helpful along the way.
I speak about:
The many kinds of adaptations: retellings, reimaginings, cover songs, fan fiction, prequels, sequels etc.
Bridging the gap between the source material and the liveness of theatre (or whatever form you write in.)
The relationship between form and content.
Using research to broaden your access points to the material and find new ideas and inspiration.
Imagine filtering a story through your voice and aesthetic like it’s a cover song. How does this particular story sound in your voice?
Marginalia and the long history of readers writing in the margins of books.
Working with the expectations audiences bring to a work when they know it’s an adaptation. Can you deliver on the expectations that open up possibilities, and subvert the ones that don’t.
I reference:
G Flip’s cover of Cruel Summer by Taylor Swift on triple j Like A Version
'Like A Version and the art of making a cover song' by Madi Chwasta on ABC
See Monument at Red Stitch Actors’ Theatre!
By Emily Sheehan and directed by Ella Caldwell
February 20 - March 10, 2024
Book now: https://www.redstitch.net/monument-2024
See Frame Narrative at The Old Fitz Theatre!
By Emily Sheehan and directed by Lucy Clements
March 8 - 30, 2024
Book now: https://www.oldfitztheatre.com.au/frame-narrative