Today I’m speaking about the benefits of hearing your script read aloud in a group environment and some methods for getting useful feedback on your play.
I recently finished a polished first draft of a new play, and organising a table read with actors was a key part of moving the draft into its next iteration.
I speak about:
The similarities between playwriting and music composition, and why we need to hear our words read aloud.
Methods for giving and receiving feedback in a group environment.
Knowing when you’re ready to discuss your ideas and unpack aspects of your play in a group environment.
The concept of ‘works in progress’ in your artistic pursuits as well as more broadly in your life.
Types of table reads and how they’re used as a tool at different phases of the creative process.
Using table reads and development discussions to find those gemstone notes that will unlock that next iteration of your play.
Tips for making table reads run smoothly.
Prompts and questions to ask for areas of playwriting craft you might like to get feedback on.
I reference:
Episode 9 Dramaturgy, Feedback and Implementing Notes
‘The Critical Response Process’ by Liz Lerman and John Borstel
‘The Director’s Craft’ by Katie Mitchell
Thank you for listening! This is an independently produced podcast which means I do all of it, end-to-end, myself. Rating and reviewing is a really friendly way to show your support.
If you’re interested in working with me as your dramaturg then send me an email at emily@emilysheehan.info. You can learn more about my work on my about page or say hi and ask me a question via @emilysheehan__ on Instagram.
Special thanks today to Ashton Sly, Joshua Monaghan and Danny Carroll.